Testing out new approach using a palette based on the Werner's Nomeclature of Colors study.
These are earth tones compiled in the 1800's based on nature.
Testing out new approach using a palette based on the Werner's Nomeclature of Colors study.
These are earth tones compiled in the 1800's based on nature.
While fine tuning some of the pages I found that removing the borders might be the look I need. Still thinking on it.
I have such trouble with clothing folds, so I've started doing cheap inks over photos as an exercise, if I do it enough I may start to understand folds and how to ink them better.
Everything looks too liney and thin, or is it me, looking at my own work so long, na, it's not reducing, needs spotting and some line strength.
I think I got these done in just over a day. I'll be spending what's left of my holiday inking these two pages.
So, resolving to do tighter pencils from now on, these are the ones for page three of this Marlo thing.
Two short weeks, and one almost gone, been attempting to hack out this comic thing, here's the first new panel of the third page.
I just ended up inking over the art and never got around to designing the brush, it was nice just to ink over clearly defines artwork, and it dawned on me that I might have to start re-thinking how I do my pencils. Having then attempted a first iteration of this one brush to rule them all, I used it to do an ink-over of some John Romita art.
So once again, I was forced to consider how much better my own stuff would be if I put in the damn time on the pencils (and draw like Kirby and Romita).
This weekend I finished the panels and experimented with golden age color treatments.
It's a challenge for sure, I looked at a lot of Kirby work and I didn't realize how good that stuff is.
I'm sure I'll be re-thinking these choices.
A late night alternative color test, garish old school dashed out who gives a fuck coloring job, for fun.